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PERUGINO, Pietro
The Madonna between St. John the Baptist and St. Sebastian
1493
Oil on panel, 178 x 164 cm
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PERUGINO, Pietro
The Presepio
1498
Fresco, 264 x 225 cm
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PERUGINO, Pietro
Prudence and Justice with Six Antique Wisemen
1497
Fresco, 293 x 418 cm
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PERUGINO, Pietro
Saint Flavia
1495-98
Wood
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PERUGINO, Pietro
Saint Placidus
1495-98
Wood
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PERUGINO, Pietro
The Transfiguration
1498
Fresco, 226 x 229 cm
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PERUGINO, Pietro
Trinity and Six Saints
1521
Fresco, 175 x 389 cm
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PERUGINO, Pietro
Christ giving the Keys to St Peter
mk86
c.1482
Fresco
335x550cm
Rome,Vatican ,Sistine Chapel
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PERUGINO, Pietro
Portrait of a Young Man
mk91
Mid-1490s
Oil on canvas
transferred from a panel
40.5x25.5
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PERUGINO, Pietro
Fresco in the Palazzo the prioris in Perugia, Italy
mk148
It shows six well known Sibyllen the antique out of (of to the left to the right) Eritrea,Persien,Cumae,Libyen,Tiburtina and Delphi
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PERUGINO, Pietro
The Miracles of San Bernardino-The Healing of a Young
Tempera on wood,
75 x 57 cm
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PERUGINO, Pietro
Saint Benedict
1495-98
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PERUGINO, Pietro
Baptism of Christ
1482 Fresco, 335 x 540 cm Cappella Sistina, Vatican The fresco is from the cycle of the life of Christ in the Sistine Chapel. It was painted by Perugino and Pinturicchio, the latter being probably responsible for the landscape and minor scenes. The paintings were to be read in pairs, one from the left and one from the right. Thus the Baptism of Christ faces the Circumcision of Moses' son by Perugino and Pinturicchio. A comparison of the pairs of scenes shows clearly that the principal concern was to show how the new religion of Christ was deeper and more spiritual than the Jewish religion. Thus the pair of frescoes showing the Baptism and the Circumcision emphasize how baptism - prefigured, according to Augustine and many of the Fathers of Church, by circumcision - represents a "spiritual circumcision."Artist:PERUGINO, Pietro Title: Baptism of Christ Painted in 1451-1500 , Italian - - painting : religious
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| PERUGINO, Pietro
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Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
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